Intro to Computing // Pen & Pixel

My students’ next Photoshop project was entitled “Pen & Pixel,” in which they had to construct a self portrait. It was a requirement to scan in textures, drawings, paintings, or items they could edit to become a part of the image. Many students demonstrated impressive concepts about themselves. Below are some examples that were turned in. All have aspects to be improved upon for their portfolio, but overall I was very pleased with their results!

* I have permission from my students to promote their work on my website.

Carson-Brantley_Pen-Pixel
by Carson Brantley
Elizabeth_Gammill-Pen&Pixel-Portrait
by Elizabeth Gammill
Grayson-Brown_Pen-and-Pixel
by Grayson Brown
Josephmacgown_pixel_intuitiveexpression
by Joseph Macgown
Julia-Thompson_pen and pixel
by Julia Thompson
Madison-Wigginton_pen-pixel-portrait
by Madison Wigginton
Whitney-White_Self-Portrait
by Whitney White
photoshop this one
by Mary Hannah Ruff

Intro to Computing // Creature Cartoon GIF

As an added continuation of their first Creature Cartoon project done in Adobe Illustrator, I challenged my students to turn it into a GIF after we started learning Photoshop. There are many ways to make a GIF, but in my research I found it was best to form their creature in Illustrator, and pull the file into Photoshop to put it into action.

I posted my own Part I and Part II tutorial YouTube videos demonstrating the steps on my laptop screen so students could reference them outside of class to produce their own GIF.

Students had to implement at least 3 actions in their GIF to receive full credit– for example eyes blinking, arms moving, and feet tapping. The number of frames they incorporated depended on their actions and how many they personally needed to see the actions to smooth completion.

It was so fun seeing these little guys and gals come to life!

Below are some GIFs that were turned in. All have aspects to be improved upon for their portfolio, but overall I was very pleased with their results.

* I have permission from my students to promote their work on my website.

by Carson Brantley: anxious, fly, antlers ^

by Elizabeth Gammill:  crawl, giggly, long tail ^

by Shannon Shepherd: big feet, running, sad ^

by Grayson Brown: mellow, shell, exercise ^

by Whitney White: afraid, mane, sleeping ^

by Madison Wigginton: calm, short legs, smell flower ^

by Mary Hannah Ruff: long arms, upside down, bashful ^

by Caylee Hubbard: squishy cheeks, happy, climbing ^

 

Intro to Computing // Impossible Reality

For my students’ first Photoshop project, I wanted them to think outside the box and create an “Impossible Reality”. They had to gather their original photography and make new photos as needed to compose their surreal image. The main artist of inspiration was Eric Johansson. He is an incredible Photoshop artist, but also kind enough to post photos and videos to demonstrate his entire process, which is great for beginners to see. Like Eric, they needed to produce an image that tricks the eye to appear realistic.

Below are some examples that were turned in. All have aspects to be improved upon for their portfolio, but overall I was very pleased with their results!

* I have permission from my students to promote their work on my website.

Carson-Brantley_impossible-reality
by Carson Brantley
Elizabeth_Gammill-Impossible_Reality
by Elizabeth Gammill
Huner Smith
by Hunter Smith
Jacquelyn_Mullins_Impossible_Reality
by Tori Mullins
Julia-Thompson_impossible-reality
by Julia Thompson
Shannon-Shepherd_Impossible-Reality
by Shannon Shepherd
Whitney-White_impossible-reality-Rgb
by Whitney White

Intermediate Computing for Design // Nature Posters + Blufish Visit

The fourth project for Intermediate Computing for Design class was to create two poster designs for a fictional lecture called “Nature as Design.” One had to be done using Illustrator, and the other using Photoshop and InDesign. The challenge was to design two posters that have a cohesive, complimentary style and will catch the public’s eye. Using different software to create the same effect for different posters also helped inform the students the differences between the programs’ capabilities.

This project was their first project dealing with typography. Students were also required to print their designs on special textural and/or colored paper ordered online. Most students chose to order from Neenah or French. As this was their first time printing on paper other than Epson, they had to make adjustments in relation to image color and contrast.

Below are photographs of posters that were turned in. All have aspects to be improved upon for their portfolio, but overall I was very pleased with their results!

* I have permission from my students to promote their work on my website.

DSC_6282
by Laura Leigh Hicks, cream paper
DSC_6285
by Laura Leigh Hicks, cream paper
DSC_6289
by Connor Booth, white dimpled paper
DSC_6293
by Connor Booth, white dimpled paper
DSC_6297
by Gerald Wicks, cream speckle-toned paper
DSC_6302
by Gerald Wicks, cream speckle-toned paper
DSC_6306
by Bethany Smith, pink speckle-toned paper
DSC_6309
by Bethany Smith, pink speckle-toned paper
DSC_6315
by Kate Webb, silvery pearl paper
DSC_6264b
by Cara Moore, cream linen paper
DSC_6266
by Cara Moore, cream linen paper
DSC_6268
by Carly Bond, cream dimpled paper
DSC_6271
by Carly Bond, cream dimpled paper
DSC_6273
by Trent Furr, green speckle-toned paper
DSC_6276
by Trent Furr, blue speckle-toned paper

Also a big thanks to Blufish design studio in Starkville, MS for allowing my class to tour their firm, learn about their business, what to expect in the workplace outside of school, and ask questions. It was a delightful, informative visit!

IMG_1162

Intermediate Computing for Design // Reinterpret a Cliché

The third project for Intermediate Computing for Design class was called Reinterpret a Cliché. Imagery seen too frequently is often not seen at all. This is the case with overused design symbols and everyday objects. Overuse renders them ineffective, and they lose their power to communicate. It is the function of the designer to revitalize these clichéd symbols and objects by interpreting them in individual and personal ways.

Students picked 6 of the following 12 examples of typically clichéd objects to be reinterpreted:

  1. Heart
  2. Key
  3. Apple
  4. Sun
  5. Stars
  6. Mouth
  7. Light Bulb
  8. Tree
  9. Cloud
  10. Eye
  11. Rose
  12. Nuts & Bolts

Then they chose a theme all 6 illustrations would have in common. Not only were they to work stylistically, but conceptually, as well. The final product had to be black & white. They scanned their sketchbook designs into Photoshop or Illustrator to continue rendering them to completion, either using the Pen Tool or Live Trace option.

Below are some designs that were turned in. All have aspects to be improved upon for their portfolio, but overall I was very pleased with their results!

* I have permission from my students to promote their work on my website.

bethany-smith
by Bethany Smith; insects
cara-moore
by Cara Moore; flowers
carly-bond
by Carly Bond; fairy-tales
connor-booth
by Connor Booth; under the sea
gerald-wicks
by Gerald Wicks; Harry Potter
imani-smith
by Imani Smith; dancers
ques-nevels
by Ques Nevels; fighters
sarah-ferguson
by Sarah Ferguson; fruits & veggies
stephen-latham
by Stephen Latham; bit-syle Mario characters
taylor-knight
by Taylor Knight; stereotypes
lauraleigh-hicks
by Laura Leigh Hicks; facial hair

Intro to Computing // Pen & Pixel

Fall 2016: My students’ next Photoshop project was entitled “Pen & Pixel,” in which they had to construct a self portrait. It was a requirement to scan in textures, drawings, paintings, or items they could edit to become a part of the image. Many students demonstrated impressive concepts about themselves. Below are some examples that were turned in. All have aspects to be improved upon for their portfolio, but overall I was very pleased with their results!

* I have permission from my students to promote their work on my website.

section1_carly-bond_pen-and-pixel
by Carly Bond
section3_april-porter_selfportrait
by April Porter
section3_bethany-smith_pen-pixel
by Bethany Smith
section3_gerald-wicks_pen-pixel
by Gerald Wicks
section3_laura-hicks_pen-pixel
by Laura Leigh Hicks
section3_maryemilymoore_penpixel
by Mary Emily Moore
section3_milly-rone_pen-pixel_strangerthingsthanmilly
by Milly Rone
section3_olivia_ketchum_penpixel
by Olivia Ketchum
section3_parker-webb_pen-pixel
by Parker Webb
section4_allie-hanson_pen-pixel2
by Allie Hanson
section4_jenkins-katherine-pixelselfiefinal
by Katherine Jenkins
section4_josie_goodman_penpixel
by Josie Goodman
section4_meredith-morris_pen-pixel
by Meredith Morris
section4_morgan-helton_penpix
by Morgan Helton

Intro to Computing // Creature Cartoon GIF

Fall 2016: As an added continuation of their first Creature Cartoon project done in Adobe Illustrator, I challenged my students to turn it into a GIF after we started learning Photoshop. There are many ways to make a GIF, but in my research I found it was best to form their creature in Illustrator, and pull the file into Photoshop to put it into action.

Since I had not made a GIF before, I had my own homework in figuring this out so I could teach my students. I read and watched many demos until I found a system that seemed to work well. I even recorded and posted my own Part I and Part II tutorial YouTube videos demonstrating the steps on my laptop screen so students could reference them outside of class to produce their own GIF.

Students had to implement at least 3 actions in their GIF to receive full credit– for example eyes blinking, arms moving, and feet tapping. The number of frames they incorporated depended on their actions and how many they personally needed to see the actions to smooth completion.

It was so fun seeing these little guys and gals come to life!

Below are some GIFs that were turned in. All have aspects to be improved upon for their portfolio, but overall I was very pleased with their results.

* I have permission from my students to promote their work on my website.

by Kaitlyn Upton: angry, fly, whiskers ^

by Josie Goodman: squishy cheeks, joyful, upside down ^

by Mary Emily Moore: big eyes, broken-hearted, eat ^

by Ques Nevels: grumpy, webbed feet, skate ^

by Meredith Morris: tentacles, mellow, float ^

by Ashley Rude: curious, climb, short legs ^

by April Porter: webbed feet, anxious, float ^

by Gerald Wicks: excited, climbing, long tail ^

by Ryan Guillory: horns, exercise, lazy ^

by Brittany Riland: mad, long arms, swing ^

by Laura Leigh Hicks: squishy cheeks, afraid, smell flower ^

by Olivia Ketchum: happy, sharp teeth, read ^

by Morgan Helton:  beak, sleepy, read ^

 

Intro to Computing // Impossible Reality

Fall 2016: For my students’ first Photoshop project, I wanted them to think outside the box and create an “Impossible Reality”. They had to gather their original photography and make new photos as needed to compose their surreal image. The main artist of inspiration was Eric Johansson. He is an incredible Photoshop artist, but also kind enough to post photos and videos to demonstrate his entire process, which is great for beginners to see. Like Eric, they needed to produce an image that tricks the eye to appear realistic.

Below are some examples that were turned in. All have aspects to be improved upon for their portfolio, but overall I was very pleased with their results!

* I have permission from my students to promote their work on my website.

section1_bryce-sheasby_impossible-reality
by Bryce Sheasby
section1_hannah-livingston_impossible-reality
by Hannah Livingston
section1_kaitlyn-upton_impossible-reality
by Kaitlyn Upton
section3_brittany-riland_impossible-reality
by Brittany Riland
section3_gerald-wicks_impossible-reality
by Gerald Wicks
section3_olivia-ketchum_impossible-reality
by Olivia Ketchum
section4_alice-hanson_impossible-reality
by Allie Hanson
section4_anngray-flowers_impossiblereality
by Ann Gray Flowers
section4_canaan-griffin_impossible-reality2
by Canaan Griffin
section4_ques-nevels_impossible-reality
by Ques Nevels